The inaugural edition of the historic Storymoja Hay Festival finally opened at the Impala Grounds, along Ngong Road. The Impala Grounds have in the last 15 years increasingly grown in stature, made popular by the annual Safari Sevens rugby tournament, but that is a story for a another day.
As I was saying, The Storymoja Hay Festival kicked off yesterday, and the biggest and the best, the literary and artistic community has ever witnessed in Kenya, will be stomping the grounds, harder than the rugby maestros have ever done in a single event.
Before I embark on my story, it’s a hats off to Muthoni Garland, and her tireless team of Storymoja team, who have made sure that this event actually takes off. And I mention names here, Carol Gaithuma, Sheila Ongas, Millie Dok – she actually went to Scotland – Martin Njaga – he of the Brethren of Ng’ondu – Sitawa Namwalie – Cut off my Tongue – Joshua Ogutu – In the Land of the Kitchen – among others.
How Storymoja managed to convince Hay to partner with them, is something Muthoni will have to tell me. What is it they have done differently? After all the Hay Festival is not your daily Migingo, Mau Forest or Hague for that matter.
So I check in a bit late – 3.30 pm – and the car park is almost full. Er, I came in a matatu, if you must know. The first vehicle I notice is Lawrence Njagi’s SUV. Njagi is the young CEO of Mountain Top Publishers, and the chairperson of the Nairobi International Book Fair. He is here to be in the panel of publishers discussing the sticky subject of whether Kenyans read. Do they?
On my way inside I notice Annette Majanja, the diminutive former Kwani? publicist. I last saw her in September last year, and try as I could I could not get her to tell me where she is working nowadays.
Once inside, the first person I notice is Moraa Gitaa. She can really tell a story, this Moraa. Her book, Crucible for Silver and Furnace for Gold, a mouthful, I must say, is on sale at the Savani’s Book Stand. She tells me that my Friend Onduko bw’ Atebe is also in the house. Atebe’s first book The Verdict of Death won the inaugural Wahome Mutahi Prize for literature in 2006, a really tight book, I must say. Why do I get the feeling that this is one writer, whom the Kenyan literary crowd is yet to appreciate? Maybe Kenyans don’t read after all.
Atebe is with John Mwazemba, the publishing manager of Macmillan Kenya limited, who is also a prolific writer in the papers. He is chairing the discussion on the reading culture. Moraa had told me she was itching to put Mwazemba on the firing line, and I made a mental note of being there when her shot goes off.
Mwazemba is on the phone talking with Tony Mochama, the Smitta. Apparently, Smitta, who is launching his book, The Road to Eldoret, at the Goethe Institut today – will I make it for the launch really – has been promising Mwazemba he is coming to the Festival for the last four hours. Cheeky Smitta.
Its rather chilly – its July anyway – and there are not that many people on the opening day, maybe due to the fact that it is a weekday. I am sure place will be teeming with humanity today and tomorrow, what with all the hype and publicity that has surrounded the event.
People look rather subdued, perhaps due to the cold, but Mburu Kimani, the movie man is just in shirt, something to do with his bodybuilder’s physique. After promising to give me an exclusive of his forthcoming TV series, Mheshimiwa, I move on to the Kenya Burning tent, where they are exhibiting images of the post election violence. I have a copy of the picture book, done by Kwani? and the Godown Arts Centre, but I can’t resist going inside.
There, the pictures, of the various events that accompanied that dark period are hung on the wall, not looking frightening at all. I could not help but notice that most of the pictures tell the story of ODM and PNU, and how its supporters set the country on fire, both literary and metaphorically.
Isn’t it interesting that barely a week ago, Kibaki and Raila, all exuding lovey dovey camaraderie, shared lunch in Raila’s Bondo home, yet their infantile quarrel over votes led to the deaths of more than a thousand Kenyans, shame on them. Oh and Raila and Ruto, his lieutenant then, are not in speaking terms, but for how long?
At the end of the room, I notice that there is an adjoining room, and I can almost guess what is in there. I hadn’t seen any frightening images. It is then that I see the notice, “Viewer Discretion” pinned at the entrance to the small room.
Inside there, I am met by some of the most foul and disturbing images I will ever set my eyes on. All of a sudden, the room gets cramped and stuffy, and I feel sick in my stomach. It’s like a morgue, and yes there is a picture of people viewing bodies inside a morgue. I can almost feel the stench. I am brought back to the present by gasps of horror from the other people watching the images from hell.
These are Kenyans who turned against their fellow Kenyans, all because politicians told them to. My mind rushes back to the day’s headlines. NO Tribunal, Hague – The Standard. Split Cabinet gives up on a special tribunal – Daily Nation. Pictures of Kibaki alongside Raila feature prominently. It is getting increasingly clear that the victims of the post election violence will not be getting any justice any time soon.
I get out of the tent feeling nauseated and angry. My “foul mood” – ala Kibaki – is soon lifted when I see Carol of Storymoja. She has been working tirelessly seeing to it that I am completely updated on the Festival and its refreshing to see her.
She is in the rather shabby looking media tent – I am comparing this with last year’s media tent which came complete with a free tea/coffee and snacks corner. To all ye journalists expect no such freebies this year.
Carol accompanies me and soon we meet Wachuka Mungai, the managing editor of Kwani? Kingwa Kamencu, the writer – To Grasp at a Star – cum literary activist is also there looking absolutely smashing. She promises to buy coffee later. Billy Kahora, the Kwani? editor too is here, and he wants to know if I still remember today’s event, where I am in the panel interviewing Malindi-based visual artiste Richard Onyango.
Around the corner we meet a harassed Muthoni Garland, she’s just been from the main stage making announcements. Surely there should be other MCs helping her out in this event.
Leaving Muthoni behind, we meet James Murua, who had been running a session on Internet dating, accompanied by my two favourite poets, Njeri Wangari, aka the Kenyanpoet and Eudia Kamonjo, They are also bloggers. They are also running their own shows at the Festival. Apart from running his social Nairobiliving.com, Murua is also a columnist with the Nairobi Star, now The Star.
I also see Oyunga Pala, the man behind the popular Man Talk column in the Saturday Nation. He has been running a session on Men Under Attack. He is a former editor of Adam magazine.
From then on my eyes get to behold the various personalities in the literary and art scene, I am somewhat overwhelmed. I can see Parsalelo Kantai, a two time Caine Prize nominee. Mukoma wa Ngugi, also nominated for Caine this year. And why is no one mentioning that he is Ngugi wa Thiong’os son? Or is it that he has come of age and can stand his own? Hmm…
I can also see Ugandan David Kaiza and his compatriot Doreen Baingana, she of Tropical Fish, Movie maker Judy Kibinge, writer Rasna Warah. I also espied Petina Gappah, the Zimbabwean lawyer whose collection of short stories An Elegy for Easterly – a wonderfully written story – is just out. Eh and Richard Onyango is also there. Why did I always conjure up images of him as a tall and muscular person? Well, he is tall alright and er… rather skinny.
Remember, there is also Hanif Kureishi, a renowned filmmaker and author, and bestselling author Vikram Seth. What more could one wish for? Nobel Laureate Wole Soyinka was supposed to have come, but he didn’t. I will tell you that story another day. Our very own Nobel Laureate Wangari Maathai will be there yesoption review.
Its time to get into the whether Kenyans read forum and apart from Mwazemba, Njagi and Baingana, there is also Bibi Bakare, who runs Cassava Republic Publishing house in Nigeria. I must have missed Moraa’s firing shot as Billy Kahora calls me to the beer tent to meet Richard Onyango.
I also meet events cum fashion show organizer Leakey odera, who is all geared up to stage a cat walk later in the evening. I later meet him, looking rather downcast and he tells me that authorities have decreed that everything should close down after 6.30 pm, the killjoys!
It is time go home and Atebe gives me a lift in his Subaru. We discuss business, and heatedly debate Michela Wrong’s controversial book Its our Turn to Eat.
I’ll be back tomorrow.
Go here for Joseph Ngunjiri’s reports on the Kenyan writing world.
ALL PICTURES ON THIS POST COURTESY OF KENYANPOET.